There has been a great deal of discussion about the demise of film for taking photographic images. The reality is that digital photography reigns. Film cameras have been on the decline for some time. The film for these cameras is slowly facing an inevitable death. It has been suggested that we will no longer have the availability of film for still cameras in about ten years.
I have to admit that being an amateur photographer I rarely reach for my film cameras today. This is mostly due to the fact the digital is more convenient and it does an adquate job of capturing the image. Today, I have a couple of digital cameras that will perform almost any task that I have a need for. Years ago, as a photo hobbyist, I attempted to reproduce the kind of work created by the great American and European photographers of the 20th century. Today, I am no longer inspired to create great works of art. I am proud of my digital images. They are quick, convenient and easily manipulated.
I think one the saddest parts about filmless photography is that most of the images taken today are not printed on paper. With the rise of use of cell phone pictures most pictures are captured for just short term viewing and in many instances deleted.
I will always enjoy viewing the work of the great photographers that have mastered gelatin silver prints like Robert Frank, Edward Steichen, Walker Evans and Edward Weston. I may still have some Kodachrome hidden away in my closet. Perhaps it’s time to say goodbye to a good old friend.
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One of my favorite post impressionist artist is the gifted and talented Paul Gauguin. One of the things that makes this artist so extraordinary is that his live began with a vocation very different than most artists. Gauguin, a middle-class Parisian stock broker, took up painting full time at age 35. Although known for his remarkable paintings, the prints created by this artist are not as well known.
Some of the most significant pieces of work made by Gauguin were the eleven zincographs created for the Catalogue de L’Exposition de Peintures du Groupe Imppresionniste et Synthetiste, or the Volpini Suite. These prints were originally displayed in a cafĂ© within the expositions devoted to art in Paris in 1889 and were Gauguin’s first attempts at printmaking.
It has been said that Gauguin has transformed art. His use or color and the flattening forms and emotion prevalent in his work have led many to suggest that he is one of the best. Gauguin is considered to be among the founders of modern art.
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have had an opportunity to view the exhibit, Hard Truths—The Art of Thornton Dial. Last week I attended a docent-led tour of the exhibit along with about 10 others individuals. I have been eagerly anticipating the viewing the art work of Mr. Dial for some time. I was not disappointed. This exhibit at the Indianapolis Museum of Art contains 70 of Dial’s large-scale paintings.
This show mostly contains Dial's large work, assemblages, but also includes water colorings and drawings. Some of his assemblages cover most of the walls and are very stunning. A few of the assemblages are free-standing and filled with a lot of symbolism. I found Dial’s work to be exciting, emotional and inspirational. It is hard to view this show without feeling something.
The exhibit provides lots of detailed information about each of the pieces of art work. I think a lot of Thornton Dial’s work speaks for itself. I found the materials (found objects) included in these assemblages fascinating. Dial spent some time as a metalworker. The pieces of metal sculpture, wires, and fences I thought were especially appealing. I have seen work by other contemporary artists that use found objects. I don’t believe any match the creativity that is reflected in Dial’s work.
I think I will view the show again on my own before it leaves. This exhibition will be at the IMA until September 18. The show will then go to New Orleans, Charlotte, N.C. and Atlanta.
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